Namiki designs its Yukari Royale Night Scene, inspired by the Haiku (short poem) 'This spring in my hut, Absolutely nothing, Absolutely everything,' as an invitation to meditation and tranquility, an illustration of the existing fusion relationship of the Japanese soul with nature. A pavilion in the middle of the night illuminated by the full moon suggests a human presence. Rocks, pavilions, and pines, almost reduced to the state of silhouettes, add a touch of mystery and serenity, like the waterfall frozen in time. In harmony with the painting, this minimalist decoration is done in Togidashi Maki-e, understated but sumptuously adorned with silver powder in some details and gold powder at the ends of the fountain pen.
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